Legacy
After her husband's return to Moscow in 1935, Yevgenia Gronfein Babel remained unaware of his other family with Antonina Pirozhkova. Based upon statements made by Ilya Ehrenburg, Yevgenia further believed that her husband was still alive and living in exile. In 1956, however, Ehrenburg told her of her husband's execution while visiting Paris. After also informing Mrs. Babel of her husband's daughter with Antonina Pirozhkova, Ehrenburg asked Yevgenia to sign a false statement attesting to a pre-war divorce from her husband. Enraged, Yevgenia Babel spat in Ehrenberg's face and then fainted.
Her daughter, Nathalie Babel Brown, believes that Ehrenburg did this under orders from the KGB. With two potential contenders for the role of Babel's widow, the Soviet State clearly preferred Babel's common-law wife Antonina to his legal wife Yevgenia, who had emigrated to the West.
Although Babel's play Maria was very popular at Western European colleges during the 1960s, it was not performed in Babel's homeland until 1994. The first English translation appeared in 1966 in a translation by Michael Glenny in THREE SOVIET PLAYS (Penguin) under the title "Marya". Maria's American premiere, directed by Carl Weber, took place at Stanford University two years later.
Although she was too young to have many memories of her father, Nathalie Babel Brown went on to become one of the world's foremost scholars of his life and work. When a Norton Anthology of his writings was published in 2002, Nathalie edited the volume and provided a foreword. She died in Washington DC in 2005.
American writer Hubert Selby has called Babel "the closest thing I have to a literary influence."
Lydia Babel, the daughter of Isaak Babel and Antonina Pirozhkova, also emigrated to the United States and currently resides in Silver Spring, Maryland.
Read more about this topic: Isaak Babel
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“What is popularly called fame is nothing but an empty name and a legacy from paganism.”
—Desiderius Erasmus (c. 1466–1536)