Fiction
To date, Welsh has published seven novels and four collections of short stories. His first novel, Trainspotting, was published in 1993, and rumor has it that Welsh wrote it in the breaks while writing his thesis at Heriot-Watt University's Library, second floor. Set in the mid 1980s, it uses a series of loosely connected short stories to tell the story of a group of characters tied together by decaying friendships, heroin addiction and stabs at escape from the oppressive boredom and brutality of their lives in the housing schemes. It was released to shock and outrage in some circles and great acclaim in others; Time Out called it "funny, unflinchingly abrasive, authentic and inventive", and The Sunday Times called Welsh "the best thing that has happened to British writing for decades". One critic (Welsh's personal friend Kevin Williamson) went so far as to say that Trainspotting "deserves to sell more copies than The Bible". It was adapted as a play, and a film adaptation, directed by Danny Boyle and written by John Hodge, was released in 1996. Welsh himself appeared in the film as Mikey Forrester, a minor character. The film was a worldwide success. U.S. Senator Bob Dole decried its supposed moral depravity and glorification of drug use during the 1996 presidential campaign, although he admitted that he had not actually seen the film.
The novel has since achieved a cult status, aided by the global success of the film.
Next, Welsh released The Acid House, a collection of short stories from Rebel Inc., New Writing Scotland and other sources. Many of the stories take place in and around the housing schemes from Trainspotting, and employ many of the same themes; however, a touch of fantasy is apparent in stories such as The Acid House, where the minds of a baby and a drug user swap bodies, or The Granton Star Cause, where God transforms a man into a fly as punishment for wasting his life. Welsh himself adapted three of the stories for a later film, which he also appeared in.
Welsh's third book (and second novel), Marabou Stork Nightmares, alternates between a typically grim tale of thugs and schemes in sub-working class Scotland and a hallucinatory adventure tale set in South Africa. Gradually, common themes begin to emerge between the two stories, culminating in a shocking ending.
His next book, Ecstasy: Three Tales of Chemical Romance (1996), became his most high-profile work since Trainspotting, released in the wave of publicity surrounding the film. It consists of three unconnected novellas: the first, Lorraine Goes To Livingston, is a bawdy satire of classic British romance novels, the second, Fortune's Always Hiding, is a revenge story involving thalidomide and the third, The Undefeated, is a sly, subtle romance between a young woman dissatisfied with the confines of her suburban life and an aging clubgoer. Most critics dismissed the first two as relatively minor affairs and focused their praise on The Undefeated. Welsh's narration imbued both characters with surprising warmth, and the story avoided easy, pro-ecstasy conclusions. The popular alternative band My Chemical Romance stated in their DVD Life On The Murder Scene that bassist Mikey Way got the name for their band from the book's subtitle.
A corrupt police officer and his tapeworm served as the narrators for his third novel, Filth (1998). Welsh had never avoided flawed characters, but the main character of Filth was a brutally vicious sociopathic policeman.
Glue (2001) was a return to the locations, themes and episodic form of Trainspotting, telling the stories of four characters spanning several decades in their lives and the bonds that held them together.
Having revisited some of them in passing in Glue, Welsh brought most of the Trainspotting characters back for a sequel, Porno, in 2002. In this book Welsh explores the impact of pornography on the individuals involved in producing it, as well as society as a whole, and the impact of aging and maturity in individuals against their will.
The Bedroom Secrets of the Master Chefs (2006), deals with a young, alcoholic civil servant who finds himself inadvertently putting a curse on his nemesis, a nerdy co-worker. In 2007, Welsh published If You Liked School You'll Love Work, his first collection of short stories in over a decade.
At the request of the Daily Telegraph, Welsh travelled with a group of authors and journalists to the Sudan in 2001. A book called The Weekenders: Travels in the Heart of Africa was the result, to which Welsh contributed a novella called Contamination, about the violence and warlords in the region. A second book, The Weekenders: Adventures in Calcutta, was published in 2004. Welsh, Ian Rankin, and Alexander McCall Smith each contributed a short story for the One City compilation published in 2005 in benefit of the One City Trust for social inclusion in Edinburgh.
In Crime, whose main character is Ray Lennox (who appeared in Welsh's previous work, Filth), Detective Inspector Ray Lennox is recovering from a mental breakdown induced by occupational stress and cocaine abuse, and a particularly horrifying child sex murder case back in Edinburgh. The story takes place in Florida.
In 2012 Welsh published a prequel to Trainspotting, entitled Skagboys. Set in Leith in the early 1980s, it introduces the Trainspotting characters and follows them as they fall into heroin addiction. Given as a series of linked short stories, the book is also interspersed with brief commentaries on contemporary British politics. In particular, the consequences of the destruction of industry in the northern cities are drawn for the young working class.
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Famous quotes containing the word fiction:
“To value the tradition of, and the discipline required for, the craft of fiction seems today pointless. The real Arcadia is a lonely, mountainous plateau, overbouldered and strewn with the skulls of sheep slain for vellum and old bitten pinions that tried to be quills. Its forty rough miles by mule from Athens, a city where theres a fair, a movie house, cotton candy.”
—Alexander Theroux (b. 1940)
“... any fiction ... is bound to be transposed autobiography.”
—Elizabeth Bowen (18991973)