Channel
The riverbed rocks and the associated rapids made the gorge valley an infamous passage for shipping. In German, the passage is still known as the Kataraktenstrecke, even though the cataracts are gone. Near the actual "Iron Gates" strait the Prigrada rock was the most important obstacle until 1896: the river widened considerably here and the water level was consequently low. Upstream, the Greben rock near the "Kazan" gorge was notorious.
In 1831 a plan had already been drafted to make the passage navigable, at the initiative of the Hungarian politician István Széchenyi. Finally Gábor Baross, Hungary's "Iron Minister", succeeded in financing this project.
In 1890, near the city of Orsova (in Hungarian; Ursa in Romanian) being the last border town of Hungary, rocks were cleared by explosion over a 2 km (1.2 mi) stretch in order to create an 80 m (262 ft) wide and 3 m (10 ft) deep channel. A spur of the Greben Mountains was removed across a length of over 2 km (1.2 mi). Here, a depth of 2 m (7 ft) sufficed. On 17 September 1896, the Sip Channel thus created (named after the Serbian village on the right bank) was inaugurated by the Austro-Hungarian emperor Franz Joseph, the Romanian king Carol I, and the Serbian king Alexander Obrenovich.
The results of these efforts were slightly disappointing. The currents in the channel were so strong that, until 1973, ships had to be dragged upstream by locomotive. The Iron Gates thus remained an obstacle of note.
Read more about this topic: Iron Gate (Danube)
Famous quotes containing the word channel:
“There may sometimes be ungenerous attempts to keep a young man down; and they will succeed too, if he allows his mind to be diverted from its true channel to brood over the attempted injury. Cast about, and see if this feeling has not injured every person you have ever known to fall into it.”
—Abraham Lincoln (1809–1865)
“There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.”
—Adrienne Rich (b. 1929)
“This is what the Church is said to want, not party men, but sensible, temperate, sober, well-judging persons, to guide it through the channel of no-meaning, between the Scylla and Charybdis of Aye and No.”
—Cardinal John Henry Newman (1801–1890)