Iron Flag - Revisiting Old Sounds

Revisiting Old Sounds

Rather than stick to one unified sound for most of the album's tracks, as with previous Clan albums, much of Iron Flag returns to many different individual sounds and styles that the Wu-Tang had visited over the years:

• "Chrome Wheels" uses the synthesizer-heavy "digital orchestra" sound of RZA's Bobby Digital In Stereo (RZA also raps in the song as his Bobby Digital persona, and Bobby Digital is name checked in the bridge (sung by Madame D). "Dashing (Reasons)" also uses the Bobby Digital sound, with the Digital trademarks of the off-kilter keyboard riff, a high-pitched portamento sine wave synthesizer, and prominent synthesized hi-hats.
• "Radioactive (Four Assassins)" is firmly in the gritty, foreboding style of the Wu-Tang's debut album Enter the Wu-Tang (36 Chambers): it has a recurring dialogue sample from a martial arts movie, short and indistinct one-note samples buried in the mix, a quickly looping ascending bassline, and hard, pounding drums. The beat also incorporates the sound of shuriken throwing blades, which are "launched" with a single B note, before the sound effect pans from right to left then back again before dissipating. The repeated horn blare at the start of every bar is also reminiscent of Public Enemy, particularly "Night of the Living Baseheads."
• "Iron Flag" has all the hallmarks of the Wu-Tang Forever sound: string samples coupled with subtle keyboards and a sped-up vocal sample (a technique which was pioneered by the RZA on Wu-Tang Forever but which by the time of Iron Flag's release had been widely imitated by many, most notably Just Blaze and Kanye West).
• "Uzi (Pinky Ring)" recalls The W's murky blaxploitation-influenced atmosphere with its dramatic horn riffs and gritty drums. "Soul Power (Black Jungle)" is also reminiscent, albeit to a lesser extent, of The W.