Culture
See also: Proto-Indo-European society, Indo-Iranian mythology, and Iranian philosophyLike other Indo-Europeans, the early Iranians practiced ritual sacrifice, had a social hierarchy consisting of warriors, clerics and farmers and poetic hymns and sagas to recount their deeds.
Following the Iranian split from the Indo-Iranians, the Iranians developed an increasingly distinct culture. Various common traits can be discerned among the Iranian people. For example, the social event Norouz is an Iranian festival that is practiced by nearly all of the Iranian people as well as others in the region. Its origins are traced to Zoroastrianism and pre-historic times.
Some Iranian cultures exhibit traits that are unique unto themselves. The Pashtuns adhere to a code of honor and culture known as Pashtunwali, which has a similar counterpart among the Baloch, called Mayar, that is more hierarchical.
Read more about this topic: Iranian Peoples
Famous quotes containing the word culture:
“Cynicism makes things worse than they are in that it makes permanent the current condition, leaving us with no hope of transcending it. Idealism refuses to confront reality as it is but overlays it with sentimentality. What cynicism and idealism share in common is an acceptance of reality as it is but with a bad conscience.”
—Richard Stivers, U.S. sociologist, educator. The Culture of Cynicism: American Morality in Decline, ch. 1, Blackwell (1994)
“The anorexic prefigures this culture in rather a poetic fashion by trying to keep it at bay. He refuses lack. He says: I lack nothing, therefore I shall not eat. With the overweight person, it is the opposite: he refuses fullness, repletion. He says, I lack everything, so I will eat anything at all. The anorexic staves off lack by emptiness, the overweight person staves off fullness by excess. Both are homeopathic final solutions, solutions by extermination.”
—Jean Baudrillard (b. 1929)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)