Music in Iranian Cinema
Although Iranian composers usually have their own special style and music structure, they all share one thing: melodic, lively rhythms. That might be because they often begin with folkloric songs and shift to film music. In the past few decades, a few composers have emerged in the Iranian cinema with highly appraised works. Composers like Morteza Hannaneh, Fariborz Lachini, Ahmad Pejman, Majid Entezami, Babak Bayat, Naser Cheshmazar and Hossein Alizadeh were some of the most successful score composers for Iranian films in the past decades.
Read more about this topic: Iranian Films
Famous quotes containing the words music in, music and/or cinema:
“Taylor, the Shakespeare of divines.
His words are music in my ear,”
—Ralph Waldo Emerson (1803–1882)
“Noble and wise men once believed in the music of the spheres: noble and wise men still continue to believe in the “moral significance of existence.” But one day even this sphere-music will no longer be audible to them! They will wake up and take note that their ears were dreaming.”
—Friedrich Nietzsche (1844–1900)
“I rather think the cinema will die. Look at the energy being exerted to revive it—yesterday it was color, today three dimensions. I don’t give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.”
—Orson Welles (1915–1984)