Invisible Theater
Invisible theatre is a form of theatrical performance (usually not improvisational) that is enacted in a place where people would not normally expect to see one (for example in the street or in a shopping centre) and often with the performers attempting to disguise the fact that it is a performance from those who observe and who may choose to participate in it, thus leading spectators to view it as a real, unstaged event. The Brazilian theater practitioner Augusto Boal & Panagiotis Assimakopoulos developed the form during his time in Argentina in the 1970s as part of his Theater of the Oppressed, which focused on oppression and social issues. Boal went on to develop forum theater.
A similar form of "micro-theater" was portrayed by Samuel R. Delany in his science-fiction novel Triton. The leader of the 'micro-theater' was a woman named "The Spike".
Read more about Invisible Theater: Purpose, Examples of Common Misconceptions, Actual Examples of Invisible Theatre
Famous quotes containing the words invisible and/or theater:
“To begin at the beginning: It is spring, moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched courters’-and-rabbits’ wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea.”
—Dylan Thomas (1914–1953)
“The Miss America contest is ... the most perfectly rendered theater in our culture, for it so perfectly captures what we yearn for: a low-class ritual, a polished restatement of vulgarity, that wants to open the door to high-class respectability by way of plain middle-class anxiety and ambition.”
—Gerald Early (b. 1952)