In jazz theory, a pitch axis is the center about which a melody is inverted.
The "pitch axis" works in the context of the compound operation transpositional inversion, where transposition is carried out after inversion, however unlike musical set theory the transposition may be chromatic or diatonic transposition. Thus if D-A-G (P5 up, M2 down) is inverted to D-G-A (P5 down, M2 up) the "pitch axis" was or will be D. However, if it is inverted to C-F-G the pitch axis is G while if the pitch axis is A, the melody will invert to E-A-B.
Note that the notation of octave position may determine how many lines and spaces appears to share the axis. The pitch axis of D-A-G and its inversion A-D-E will either appear to be between C/B♮ or the single pitch F.
Read more about this topic: Inversion (music)
Famous quotes containing the words pitch and/or axis:
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To such a pitch my thought
That coming time can say,
“He shadowed in a glass
What thing her body was.””
—William Butler Yeats (1865–1939)
“I make this direct statement to the American people that there is far less chance of the United States getting into war, if we do all we can now to support the nations defending themselves against attack by the Axis than if we acquiesce in their defeat, submit tamely to an Axis victory, and wait our turn to be the object of attack in another war later on.”
—Franklin D. Roosevelt (1882–1945)