Inversional equivalency or inversional symmetry is the concept that intervals, chords, and other sets of pitches are the same when inverted. It is similar to enharmonic equivalency and octave equivalency and even transpositional equivalency. Inversional equivalency is used little in tonal theory, though it is assumed a set which may be inverted onto another are remotely in common. However, taking them to be identical or near-identical is only assumed in musical set theory.
All sets of pitches with inversional symmetry have a center or axis of inversion. For example, the set C–E–F–F♯–G–B has one center at the dyad F and F♯ and another at the tritone, B/C, if listed F♯–G–B–C–E–F. For C–E♭–E–F♯–G–B♭ the center is F and B if listed F♯–G–B♭–C–E♭–E.
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