Production
As detailed in the insert included with the 2003 DVD, the idea for Interstella 5555 formed during the early Discovery recording sessions. Daft Punk's concept for the film involved the merging of science fiction with entertainment industry culture and was further developed with their collaborator Cédric Hervet. All three brought the album and the completed story to Tokyo in the hope of creating the film with their childhood hero, Leiji Matsumoto. After Matsumoto joined the team as visual supervisor, Shinji Shimizu had been contacted to produce the animation and Kazuhisa Takenouchi to direct the film. With the translation coordination of Tamiyuki "Spike" Sugiyama, production began in October 2000 and ended in April 2003. The cost of the film is said to have been $4 million. A Blu-ray edition of the film was released on September 2011 and contains similar artwork packaging.
The first four episodes from the film were shown on MTV and Cartoon Network in 2001. Cartoon Network hosted the episodes online as part of their short-lived Toonami Reactor project (later revived as "Toonami Jetstream"). In December 2003 Interstella 5555 was released along with the album Daft Club, which served to promote the film and provided previously unreleased remixes of tracks from the Discovery album.
Many elements common to Matsumoto's stories, such as a romanticism of noble sacrifice and remembrance of fallen friends, appear in Interstella 5555. Daft Punk revealed in an interview that Captain Harlock was a great influence on them in their childhood. They also stated "The music we have been making must have been influenced at some point by the shows we were watching when we were little kids."
Read more about this topic: Interstella 5555: The 5tory Of The 5ecret 5tar 5ystem
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (1872–1933)
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.””
—State of Utah, U.S. public relief program (1935-1943)