Criticism of International Style
The stark, unornamented appearance of the International style met with contemporaneous criticism and is still criticized today by many. Especially in larger and more public buildings, the style is commonly subject to disparagement as ugly, inhuman, sterile, and elitist. Such criticism gained momentum in the latter half of the 20th Century, from academics such as Hugo Kükelhaus to best-selling American author Tom Wolfe's From Bauhaus to Our House, and contributed to the rise of such counter-movements as postmodernism. The negative reaction to internationalist modernism has been linked to public antipathy to development overall.
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Famous quotes containing the words criticism of, criticism and/or style:
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“Parents sometimes feel that if they don’t criticize their child, their child will never learn. Criticism doesn’t make people want to change; it makes them defensive.”
—Laurence Steinberg (20th century)
“The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.”
—Raymond Chandler (1888–1959)