The International Standard Music Number or ISMN (ISO 10957) is a thirteen-character alphanumeric identifier for printed music developed by ISO. The original proposal for an ISMN was made by the UK Branch of IAML (International Association of Music Libraries, Archives and Documentation Centres), put forward by Alan Pope (Blackwell's Music Department, Oxford), Malcolm Lewis (music librarian in Nottingham) and Malcolm Jones (music librarian in Birmingham). A draft ISMN structure and application was presented at the 1987 IAML conference in Amsterdam, then after further discussions at the 1989 IAML conference in Oxford it was decided that the UK, French and German branches should, through their respective national standards bodies (BSI, AFNOR and DIN) file ISMN as an ISO work project. After meetings in Ottawa and Paris in 1993 the draft was finalized and published by ISO.
The original format comprised four elements: a distinguishing prefix M, a publisher ID, an item ID and a check digit, typically looking like M-2306-7118-7. From 1 January 2008 the ISMN was defined as a thirteen digit identifier beginning 979-0 where the zero replaced M in the old-style number. The resulting number is identical with its EAN-13 number as encoded in the item's barcode.
The current format comprises four blocks: the prefix 979-0 reserved for ISMNs — at some future date they are expected to occupy the remainder of the 979 space which is shared with ISBNs, a block to identify the publisher, another to identify the item and one final check digit. The TC 46/SC 9 is responsible for the standard.
A publication may be assigned both an ISBN and an ISMN. Unlike the ISBN, the ISMN does not segregate publishers by country.
Read more about International Standard Music Number: Check Digit
Famous quotes containing the words standard, music and/or number:
“An indirect quotation we can usually expect to rate only as better or worse, more or less faithful, and we cannot even hope for a strict standard of more and less; what is involved is evaluation, relative to special purposes, of an essentially dramatic act.”
—Willard Van Orman Quine (b. 1908)
“Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.”
—Thomas Beecham (1879–1961)
“After mature deliberation of counsel, the good Queen to establish a rule and imitable example unto all posterity, for the moderation and required modesty in a lawful marriage, ordained the number of six times a day as a lawful, necessary and competent limit.”
—Michel de Montaigne (1533–1592)