Symbol Names
An IPA symbol is often distinguished from the sound it is intended to represent, since there is not necessarily a one-to-one correspondence between letter and sound in broad transcription, making articulatory descriptions such as 'mid front rounded vowel' or 'voiced velar stop' unreliable. While the Handbook of the International Phonetic Association states that no official names exist for its symbols, it admits the presence of one or two common names for each. The symbols also have nonce names in the Unicode standard. In some cases, the Unicode names and the IPA names do not agree. For example, IPA calls ɛ "epsilon", but Unicode calls it "small letter open E".
The traditional names of the Latin and Greek letters are usually used for unmodified letters. Letters which are not directly derived from these alphabets, such as, may have a variety of names, sometimes based on the appearance of the symbol, and sometimes based on the sound that it represents. In Unicode, some of the letters of Greek origin have Latin forms for use in IPA; the others use the letters from the Greek section.
For diacritics, there are two methods of naming. For traditional diacritics, the IPA notes the name in a well known language; for example, é is acute, based on the name of the diacritic in English and French. Non-traditional diacritics are often named after objects they resemble, so d̪ is called bridge.
Pullum and Ladusaw list a variety of names in use for IPA symbols, both current and retired, in addition to names of many other non-IPA phonetic symbols. Their collection is extensive enough that the Unicode Consortium used it in the development of Unicode.
Read more about this topic: International Phonetic Alphabet
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“In a symbol there is concealment and yet revelation: here therefore, by silence and by speech acting together, comes a double significance.... In the symbol proper, what we can call a symbol, there is ever, more or less distinctly and directly, some embodiment and revelation of the Infinite; the Infinite is made to blend itself with the Finite, to stand visible, and as it were, attainable there. By symbols, accordingly, is man guided and commanded, made happy, made wretched.”
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