Institut Le Rosey - in Fiction and Popular Culture

In Fiction and Popular Culture

Due to Institut Le Rosey's widespread reputation as one of the most exclusive educational institutions in the world, the school has often been mentioned in novels, television programs, biographies, magazines, and other forms of mass media. In fiction, the school is most commonly mentioned in novels relating to the rich and famous, and usually takes the role of being the choice of education for different characters. Le Rosey has been mentioned in Judith Krantz's novels Princess Daisy (1980) and Till We Meet Again (1988), as well as in several romance novels by Karen Robards. The school is also mentioned in Answered Prayers: The Unfinished Novel (1975) by Truman Capote, Any Woman's Blues (1990) by Erica Jong, For Love Alone (1992) by Ivana Trump, and What Became of Her (2002) by Marijane Meaker. Similarly, Le Rosey is mentioned in Bret Easton Ellis' novel American Psycho (1991), as the alma mater of Evelyn Williams, who is the protagonist's fiancée for most of the novel. In a 2002 episode of Law & Order: Criminal Intent, affluent character Martha Strick, played by Veanne Cox, says she attended Le Rosey.

In non-fiction, alumni Michael Korda and James Laughlin have written about their experiences and memories at Le Rosey. Columnist Taki Theodoracopulos has written extensively on the school and its alumni, and was in the middle of a mild controversy when in 1998 he jokingly wrote in the The Spectator that Osama bin Laden had attended Le Rosey. The story resulted in an outcry from American readers, inquiries from several magazines, and the school publicly and "vehemently" denying that bin Laden had attended Le Rosey. In 1999, Russian journalist Paul Klebnikov (murdered in 2004) wrote an exposé on Le Rosey in Forbes magazine detailing the problems the school was experiencing with its majority Russian student body.

Read more about this topic:  Institut Le Rosey

Famous quotes containing the words popular culture, fiction, popular and/or culture:

    “Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
    —Mason Cooley (b. 1927)

    “We can never safely exceed the actual facts in our narratives. Of pure invention, such as some suppose, there is no instance. To write a true work of fiction even is only to take leisure and liberty to describe some things more exactly as they are.”
    —Henry David Thoreau (1817–1862)

    “The press is no substitute for institutions. It is like the beam of a searchlight that moves restlessly about, bringing one episode and then another out of darkness into vision. Men cannot do the work of the world by this light alone. They cannot govern society by episodes, incidents, and eruptions. It is only when they work by a steady light of their own, that the press, when it is turned upon them, reveals a situation intelligible enough for a popular decision.”
    —Walter Lippmann (1889–1974)

    “The best hopes of any community rest upon that class of its gifted young men who are not encumbered with large possessions.... I now speak of extensive scholarship and ripe culture in science and art.... It is not large possessions, it is large expectations, or rather large hopes, that stimulate the ambition of the young.”
    —Rutherford Birchard Hayes (1822–1893)