Inside Monkey Zetterland - Release and Critical Reception

Release and Critical Reception

The film, produced by Tani L. Cohen and Chuck Grieve, debuted at the Toronto Film Festival on September 12, 1992, and was released to a very limited number of theaters in the United States in 1993. Donovan was nominated as best supporting male at the 1994 Independent Spirit Awards; the film was nominated for the Grand Jury Prize (dramatic) at the 1993 Sundance Film Festival. The film was released in 1994 on VHS and in 1995 on Laserdisc; it was finally released on DVD on February 6, 2007.

The film was generally well received by critics. Marjorie Baumgarten of The Austin Chronicle gave the film three stars, stating "These actors all create riveting snapshots of oddballs in action," but also noting the film has a "rambling storyline".1 These same characteristics that were praised in positive reviews were the same ones panned in negative ones, such as Desson Howe of The Washington Post who states: "After the characters have taken up most of the movie airing their idiosyncrasies, they undergo melodramatic fates that reveal little more than Antin's recession of an imagination." 2

The film did however cause a rift between real life brothers Steve Antin and Jonathon Antin as Jonathon was insulted over the film's close resemblance to their own family and how the character Brent Zetterland was depicted as vapid, vain, oafish and slow. However it is rumored that the two have since reconciled.

Read more about this topic:  Inside Monkey Zetterland

Famous quotes containing the words release and, release, critical and/or reception:

    We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.
    Elizabeth Drew (1887–1965)

    The steel decks rock with the lightning shock, and shake with the
    great recoil,
    And the sea grows red with the blood of the dead and reaches for his spoil—
    But not till the foe has gone below or turns his prow and runs,
    Shall the voice of peace bring sweet release to the men behind the
    guns!
    John Jerome Rooney (1866–1934)

    The critical period in matrimony is breakfast-time.
    —A.P. (Sir Alan Patrick)

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)