Death and Legacy
Bergman died in 1982 on her 67th birthday in London, following a long battle with breast cancer. Her body was cremated at Kensal Green Cemetery, London and her ashes taken to Sweden, where most of her ashes were scattered in the sea around the islet of Dannholmen off the fishing village of Fjällbacka in Bohuslän, on the west coast of Sweden, where she spent most summers from 1958 to her death in 1982, and the rest placed next to her parents in Norra begravningsplatsen (Northern Cemetery), Stockholm, Sweden.
According to biographer Donald Spoto, she was "arguably the most international star in the history of entertainment." Acting in five languages, she was seen on stage, screen and television, and won three Academy Awards plus many others. After her American film debut in the 1939 film Intermezzo: A Love Story, co-starring Leslie Howard, Hollywood saw her as a unique actress who was completely natural in style and without need of makeup. Film critic James Agee wrote that she "not only bears a startling resemblance to an imaginable human being; she really knows how to act, in a blend of poetic grace with quiet realism."
Bergman was a tall, natural-looking, and intelligent Swedish actress, fluent in English. According to film historian David Thomson, she "always strove to be a 'true' woman", and many filmgoers identified with her:
- "There was a time in the early and mid-1940s when Bergman commanded a kind of love in America that has been hardly ever matched. In turn, it was the strength of that affection that animated the 'scandal' when she behaved like an impetuous and ambitious actress instead of a saint."
Nonetheless, writing about her first years in Hollywood, Life magazine stated that "All Bergman vehicles are blessed", and "they all go speedily and happily, with no temperament from the leading lady." She was "completely pleased" with her early career's management by David O. Selznick, who always found excellent dramatic roles for her to play, and equally satisfied with her salary, once saying, "I am an actress and I am interested in acting, not in making money." Life adds that "she has greater versatility than any actress on the American screen ... her roles have demanded an adaptability and sensitiveness of characterization to which few actresses could rise."
She continued her acting career while fighting an eight-year battle with cancer, and won international honors for her final roles. "Her spirit triumphed with remarkable grace and courage", adds Spoto. Director George Cukor once summed up her contributions to the film media when he said to her, "Do you know what I especially love about you, Ingrid, my dear? I can sum it up as your naturalness. The camera loves your beauty, your acting, and your individuality. A star must have individuality. It makes you a great star. A great star."
For her contributions to the motion picture industry, Bergman has a star on the Hollywood Walk of Fame at 6759 Hollywood Blvd.
Woody Guthrie wrote the erotic song "Ingrid Bergman" which references Bergman's relationship with Roberto Rosselini on the film "Stromboli". It was never recorded by Guthrie but, later found in the Woody Guthrie archives, it was put to music, and recorded, by Billy Bragg on the album Mermaid Avenue
Bergman is mentioned in the song Good as Gold (Stupid as Mud) by The Beautiful South.
Read more about this topic: Ingrid Bergman
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