Origins
Experimental '60s group Cromagnon are said to have been one of the bands that helped foresee the birth of industrial rock. Specifically, their song "Caledonia" has been noted for its "pre-industrial stomp".
Industrial music was created in the mid- to late 1970s, amidst the punk rock revolution and disco fever. Prominent early industrial musicians include Throbbing Gristle, Cabaret Voltaire, NON, SPK and Z'EV. Within a few years, many other musical performers were incorporating industrial-musical elements into a variety of musical styles.
Some post-punk performers developed styles parallel to industrial music's defining attributes. Pere Ubu's debut, The Modern Dance, was described as "industrial". So was San Francisco's Chrome, who mixed Jimi Hendrix, The Sex Pistols and tape music experiments, and Killing Joke, considered by Simon Reynolds as "a post-punk version of heavy metal". According to Chris Connelly, Foetus "is the instigator when it comes to the marriage of machinery to hardcore punk."
Others followed in their wake. The New York City band Swans were inspired by the local No Wave scene, as well as punk rock, noise music (particularly Whitehouse) and the original industrial groups. Steve Albini's Big Black followed a similar path, while also incorporating American hardcore punk. Big Black has also been closely associated with post-hardcore and noise rock. The Swiss trio The Young Gods, who deliberately eschewed electric guitars in favor of a sampler, also took inspiration from both hardcore and industrial, being equally indebted to the Bad Brains and Foetus.
Read more about this topic: Industrial Rock
Famous quotes containing the word origins:
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.”
—Lewis Mumford (1895–1990)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)