Industrial Records - Background

Background

Artists released through the label included Clock DVA and The Leather Nun, plus outrage artist Monte Cazazza, the author William S. Burroughs' auditory works, and a solo album by Throbbing Gristle member Chris Carter.

A notable departure from the industrial form of the label was the blues standard "Stormy Weather" sung by Elisabeth Welch, taken from the soundtrack of Derek Jarman's film The Tempest.

The label's first LP was Throbbing Gristle's debut LP The Second Annual Report which was limited to 786 copies. It came in bootleg-like packaging: a plain white card sleeve with glued-on xerox information strips.

The Industrial Records logo is a stark black and white depiction a low-definition photo of an Auschwitz crematory.

In 2011 the label had an official "re-activation" as Throbbing Gristle's contract with Mute Records had expired. Since the band has permanently disbanded following the death of Sleazy, the label's plan is to re-release the original Throbbing Gristle albums (The Second Annual Report, D.o.A: The Third and Final Report, 20 Jazz Funk Greats, Heathen Earth, and Greatest Hits) on the label. Originally intended to be released all at once on 26 September 2011, the label had to delay due to a Sony DADC warehouse fire in London. The new plan was to release a new album chronologically once every week starting on Halloween 2011 with The Second Annual Report and ending 28 November with Throbbing Gristle's Greatest Hits.

There has been no comment on releasing any other artists' works or new content after the Throbbing Gristle releases.

Read more about this topic:  Industrial Records

Famous quotes containing the word background:

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)

    Pilate with his question “What is truth?” is gladly trotted out these days as an advocate of Christ, so as to arouse the suspicion that everything known and knowable is an illusion and to erect the cross upon that gruesome background of the impossibility of knowledge.
    Friedrich Nietzsche (1844–1900)

    In the true sense one’s native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.
    Emma Goldman (1869–1940)