Indonesian Navy Special Forces
- Komando Pasukan Katak - the primary special operations force of the Indonesian Navy. They are recruited from navy sailors, and they are commonly called as "FROG MAN".
- Kompi Intai Para Amfibi - the Marine Corps' Amphibious Reconnaissance Battalion, which also has capability as para-commando. They are recruited from marines corps.
- Detasemen Jala Mangkara - special operations forces of the Indonesian Navy. It is a combined detachment formed from selected personnel of the Navy's Underwater Special Unit (Kopaska) and the Marine Corps' Amphibious Reconnaissance Battalion (KIPAM aka Yontaifib).
Read more about this topic: Indonesian Navy
Famous quotes containing the words indonesian, navy, special and/or forces:
“The inference is, that God has restated the superiority of the West. God always does like that when a thousand white people surround one dark one. Dark people are always “bad” when they do not admit the Divine Plan like that. A certain Javanese man who sticks up for Indonesian Independence is very lowdown by the papers, and suspected of being a Japanese puppet.”
—Zora Neale Hurston (1891–1960)
“The Navy is the asylum for the perverse, the home of the unfortunate. Here the sons of adversity meet the children of calamity, and here the children of calamity meet the offspring of sin.”
—Herman Melville (1819–1891)
“The rebellion is against time pollution, the feeling that the essence of what makes life worth living—the small moments, the special family getaways, the cookies in the oven, the weekend drives, the long dreamlike summers Mso much of this has been taken from us, or we have given it up. For what? Hitachi stereos? Club Med? Company cars? Racquetball? For fifteen-hour days and lousy day care?”
—Richard Louv (20th century)
“There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.”
—Adrienne Rich (b. 1929)