Index On Censorship - Arts and International Programmes

Arts and International Programmes

Index on Censorship also runs a programme of UK based and international projects that put the organisation’s philosophy into practice. In 2009 and 2010 Index on Censorship worked in Afghanistan, Burma, Iraq, Tunisia and many other countries, in support of journalists, broadcasters, artists and writers who work against a backdrop of intimidation, repression, and censorship.

The organisation’s arts programmes investigate the impact of current and recent social and political change on arts practitioners, assessing the degree and depth of self-censorship. It uses the arts to engage young people directly into the freedom of expression debate. It works with marginalised communities in UK, creating new platforms, on line and actual for creative expression.

Index on Censorship works internationally to commission new work, not only articles for print and online, but also new photography, film & video, visual arts and performance. Recent examples include an exhibition of photostories produced by women in Iraq, Open Shutters; and programme involving artists from refugee and migrant communities in UK, linking with artists from their country of origin, imagine art after, exhibited at Tate Britain in 2007.

Index is also working with Burmese exiled artists and publishers on creating a programme in support of the collective efforts of Burma’s creative community. Index also commissioned a new play by Actors for Human Rights, Seven Years With Hard Labour, weaving together four accounts from former Burmese political prisoners now living in the UK. Index also co-published a book of poetry by homeless people in London and St. Petersburg.

Read more about this topic:  Index On Censorship

Famous quotes containing the words arts and and/or arts:

    I should say that the most prominent scientific men of our country, and perhaps of this age, are either serving the arts and not pure science, or are performing faithful but quite subordinate labors in particular departments. They make no steady and systematic approaches to the central fact.... There is wanting constant and accurate observation with enough of theory to direct and discipline it. But, above all, there is wanting genius.
    Henry David Thoreau (1817–1862)

    Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.
    Jane Heap (c. 1880–1964)