In The Mood - Composition

Composition

"In the Mood" opens with a now-famous sax section theme based on repeated arpeggios that are rhythmically displaced; trumpets and trombones add accent riffs. The arrangement has two solo sections; a "tenor fight" solo—in the most famous recording, between Tex Beneke and Al Klink—and a 16-bar trumpet solo. The arrangement is also famous for its ending: a coda that climbs triumphantly, then sounds a simple sustained unison tonic pitch with a rim shot.

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Famous quotes containing the word composition:

    “Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
    —Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)

    “Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
    —Vladimir Nabokov (1899–1977)

    “Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.”
    —Vincent Van Gogh (1853–1890)