Production
Producer, Jeff Apple, began developing "In the Line of Fire" in the mid-eighties. His previous credits included Zapped!, a teen comedy starring Scott Baio. For "Fire", Apple made several research trips to the U.S. Secret Service headquarters in Washington, D.C. and recruited Secret Service agents, including Robert Snow, to consult. Snow helped lead Apple to the real Secret Service Agent the Clint Eastood character is modeled on. The Secret Service also gave an official nod to Apple's project.
Apple planned on making a movie about a U.S. Secret Service Agent on detail during the Kennedy assassination since his boyhood. Apple was inspired and intrigued by a vivid early childhood memory of meeting Vice President Lyndon B. Johnson in person surrounded by Secret Service Agents with earpieces in dark suits and sunglasses. The movie concept later struck Apple as an adolescent watching televised replays of the assassination of President John F. Kennedy. In 1991, writer Jeff Maguire came aboard and completed the script that would become the movie.
Filming began in late 1992 in Washington, D.C. Scenes in the White House were filmed on a pre-built set, while an Air Force One interior set had to be built at a cost of $250,000.
A sub-plot of the film is the President's reelection campaign. For the scenes of campaign rallies the filmmakers used digitally-altered scenes from President George Herbert Walker Bush's and Governor Bill Clinton's 1992 campaign events.
The movie also uses digitized imagery from 1960s Clint Eastwood movies inserted into the Kennedy assassination scenes. As Jeff Apple described it to the Los Angeles Times, Clint "gets the world's first digital haircut."
Read more about this topic: In The Line Of Fire
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“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)