Tradition
Since 690, the presentation of these items to the Emperor by the priests at the shrine have been a central element of the imperial enthronement ceremony. This ceremony is not public, and these items are by tradition only seen by the emperor and certain priests. Because of this, no known photographs or drawings exist.
Two of the three treasures (the jewel and sword, as well as the emperor's seal and the state seal) were last seen during the accession and enthronement of Emperor Akihito in 1989 and 1993, but were shrouded in packages*.
According to legend, these treasures were brought by Ninigi-no-Mikoto, legendary ancestor of the Japanese imperial line, when his grandmother, the Sun Goddess Amaterasu, sent him to pacify Japan. Traditionally, they were a symbol of the emperor's divinity as a descendant of Amaterasu, confirming his legitimacy as paramount ruler of Japan.
According to legend, when Amaterasu hid in a cave from her brother Susanoo, thus plunging the world in darkness, the goddess Ame-no-Uzume hung the mirror and jewels outside the cave and lured her out of the cave, at which point she saw her own reflection and was startled enough that the gods could pull her out of the cave. Susanoo later presented the sword Kusanagi to Amaterasu as a token of apology; he had obtained it from the body of an eight-headed serpent, Orochi.
The possession by the Southern Dynasty of the imperial regalia during the Northern and Southern dynasties period in the 14th century has led modern chroniclers to define it as the legitimate dynasty for purposes of reign names and genealogy.
The importance of the imperial regalia to Japan is evident also from the declarations made by Emperor Showa to Koichi Kido on 25 and 31 July 1945* at the end of World War II, when he ordered the keeper of the privy seal to protect them "at all costs".
Read more about this topic: Imperial Regalia Of Japan
Famous quotes containing the word tradition:
“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)
“Tradition means giving votes to the most obscure of all classes—our ancestors. It is the democracy of the dead. Tradition refuses to submit to the small and arrogant oligarchy of those who merely happen to be walking around.”
—Gilbert Keith Chesterton (1874–1936)
“To value the tradition of, and the discipline required for, the craft of fiction seems today pointless. The real Arcadia is a lonely, mountainous plateau, overbouldered and strewn with the skulls of sheep slain for vellum and old bitten pinions that tried to be quills. It’s forty rough miles by mule from Athens, a city where there’s a fair, a movie house, cotton candy.”
—Alexander Theroux (b. 1940)