Theatre
Year | Title | Role | Company |
---|---|---|---|
1985 | Cabaret | Sally Bowles | Wolsey Theatre, Ipswich |
1986 | The Rover | Helena | Swan Theatre, Stratford |
1986 | Two Noble Kinsmen | Gaoler's daughter | The Other Place, Stratford |
1987 | Richard II | Queen Isabel | Swan |
1989 | Othello | Desdemona | The Other Place |
1992 | Heartbreak House | Ellie | Theatre Royal, Haymarket |
1994 | Saint Joan | Joan | Strand Theatre |
1994 | Uncle Vanya | Yelena | Chichester Festival |
1996 | A Streetcar Named Desire | Stella | Theatre Royal, Haymarket |
1998 | Closer | Anna | Lyric Theatre, London |
1998 | Betrayal | Emma | National Theatre |
2001 | The Relapse | Amanda | National |
2002 | Three Sisters | Masha | Theatre Royal, Bath (and tour) |
2003 | Mum's the Word | Linda | Albery Theatre |
2004 | Hamlet | Gertrude | Old Vic |
2006 | Duchess of Malfi | Duchess | West Yorkshire Playhouse |
2009 | Alphabetical Order | Lucy | Hampstead Theatre |
2010 | The Glass Menagerie | Amanda | Shared Experience |
2011 | Private Lives | Amanda | Manchester Royal Exchange |
2011 | Little Eyolf | Rita | Jermyn Street Theatre, London |
2011 | Salt, Root and Roe | Menna | Trafalgar Studios, London |
2012 | Orpheus Descending | Lady | Royal Exchange Theatre, Manchester |
Read more about this topic: Imogen Stubbs
Famous quotes containing the word theatre:
“Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of ones own life.”
—Dame Alice Markova (b. 1910)
“... in the happy laughter of a theatre audience one can get the most immediate and numerically impressive guarantee that there is nothing in ones mind which is not familiar to the mass of persons living at the time.”
—Rebecca West (18921983)
“For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.”
—Sarah Bernhardt (18441923)