Works
Immanuel's varied scientific activity corresponded with his wide scholarship, though he confined his activity exclusively to Jewish subjects. With the exception of an introductory poem, his first work, dealing with the letter symbolism (see Hebrew alphabet) popular at that time, is lost. A second work, Even Bohan ("Touchstone") concerns biblical hermeneutics, dealing with the different meaning of verbs in different constructions, with the addition, omission, and interchange of letters, and with other linguistic questions. More important are his biblical commentaries, which cover all the books of the Bible, though some have since been lost. Following his Jewish and Christian contemporaries, he interpreted the Bible allegorically, symbolically, and mystically, endeavoring to find in it his own philosophical and religious views, though not disregarding the simple, literal meaning, which he placed above the symbolic. The sole value of his commentaries lies in the fact that his wide range of reading enabled him to make the works of other exegetes and philosophers accessible to his contemporaries and countrymen.
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Famous quotes containing the word works:
“When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
—Ralph Waldo Emerson (1803–1882)
“Great works constructed there in nature’s spite
For scholars and for poets after us,
Thoughts long knitted into a single thought,
A dance-like glory that those walls begot.”
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“The whole idea of image is so confused. On the one hand, Madison Avenue is worried about the image of the players in a tennis tour. On the other hand, sports events are often sponsored by the makers of junk food, beer, and cigarettes. What’s the message when an athlete who works at keeping her body fit is sponsored by a sugar-filled snack that does more harm than good?”
—Martina Navratilova (b. 1956)