Imitation of Life (novel) - Literary Significance and Criticism

Literary Significance and Criticism

Hurst was a Jewish white woman and supporter of feminist causes. She also supported African Americans in their struggle for greater equality. She was deeply involved in the Harlem Renaissance, especially with Zora Neale Hurston. Hurst helped sponsor Hurston in her first year at Barnard and employed Hurston briefly as an executive secretary. The two traveled together on road trips that may have contributed to Hurst's understanding of racial discrimination. Both Hurston and Langston Hughes claimed to like Imitation of Life, though both reversed their opinion after Sterling Allen Brown lambasted both the book and the first film in a review entitled "Imitation of Life: Once a Pancake", a reference to a line in the first film. The novel Imitation of Life continues to be highly controversial, as some read it as heavy-handed stereotyping, while others see it as a more subtle and subversive satire of and commentary on race, sex, and class in early 20th century America. Both text and films have remained deeply embedded in American consciousness, for better or worse, as evidenced by Toni Morrison's use of a character named "Pecola" in her 1970 novel The Bluest Eye.

Read more about this topic:  Imitation Of Life (novel)

Famous quotes containing the words literary, significance and/or criticism:

    There was a literary gentleman present who who had dramatised in his time two hundred and forty-seven novels as fast as they had come out—and who was a literary gentleman in consequence.
    Charles Dickens (1812–1870)

    Of what significance the light of day, if it is not the reflection of an inward dawn?—to what purpose is the veil of night withdrawn, if the morning reveals nothing to the soul? It is merely garish and glaring.
    Henry David Thoreau (1817–1862)

    Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.
    Leslie Fiedler (b. 1917)