Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| The New York Times | (no rating) |
| Q | |
| Rolling Stone Record Guide | |
| Rolling Stone | |
I'm Alive was considered somewhat of a comeback for Browne. Stephen Holden writing for The New York Times wrote "I'm Alive is a striking return to the kind of romantic subject matter that the Los Angeles singer and songwriter seemed to have abandoned after 1980 in favor of political songwriting. His finest album in nearly two decades, it has much in common with his 1974 masterpiece, Late For The Sky, whose songs also described the disintegration of a relationship."
Critic William Ruhlman agreed though did not consider the album as strong. "Longtime fans welcomed the album as a return in style... Browne eschewed the greater philosophical implications of romance and, falling back on stock imagery (angels, rain), failed to achieve an originality of expression. While it was good news that he wasn't tilting at windmills anymore, Browne did not make a full comeback with the album, despite a couple of well-constructed songs." The Rolling Stone Record Guide wrote Browne "returned to his forte: the personal joy and agony of day-to-day human interaction."
In the original Rolling Stone review for the album from 1993, Kara Manning expressed the belief that "Browne has successfully managed to resurrect his persona of 20 years ago. I'm Alive shudders with the pain of someone who's been soundly dumped. And Browne has even gained a sense of gallows humor. Between despondent cries for reconciliation, the singer indulges in refreshingly silly self-deprecation." However, she wondered, "what does a younger, angrier generation — raging to Dr. Dre and Nirvana — make of all this? But '70s nostalgia is on a roll..."
The album was in Q's list of "The 50 Best Albums Of 1993".
Read more about this topic: I'm Alive (Jackson Browne Album)
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)