Popularity and Criticism
The finals of the second and third UK series were seen by 12.73 and 14.99 million people respectively — in both cases well over half of all people watching television in the country at the time.
The site in which the celebrities stay appears to be open to the elements, but is largely covered by sheets above the view of the cameras. In one episode, a celebrity had to swim in a swamp apparently infested with crocodiles. Marksmen were shown ready to shoot the animals if they attacked. In actuality, the area where this was filmed does not have crocodiles because it is too far south.
In Series 9 it was revealed that Katie Price was getting paid almost four times as much as the other contestants, which sparked some criticism. It was also reported that, as a result, cash-strapped ITV were unable to provide any more money for the series, and the quality of the trials went down.
Read more about this topic: I'm A Celebrity...Get Me Out Of Here! (UK TV Series)
Famous quotes containing the words popularity and, popularity and/or criticism:
“A large part of the popularity and persuasiveness of psychology comes from its being a sublimated spiritualism: a secular, ostensibly scientific way of affirming the primacy of “spirit” over matter.”
—Susan Sontag (b. 1933)
“The nation looked upon him as a deserter, and he shrunk into insignificancy and an earldom.... He was fixed in the house of lords, that hospital of incurables, and his retreat to popularity was cut off; for the confidence of the public, when once great and once lost, is never to be regained.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)