Exterior
Il Redentore has one of the most prominent sites of any of Palladio's structures, and is considered one of the pinnacles of his career. It is a large, white building with a dome crowned by a statue of the Redeemer. On the façade a central triangular pediment overlies a larger, lower one. This classical feature recalls Palladio's façade for San Francesco della Vigna, where he used an adaptation of a triumphal arch. Palladio is known for applying rigorous geometric proportions to his façades and that of Redentore is no exception. The overall height is four-fifths that of its overall width whilst the width of the central portion is five-sixths of its height.
It has been suggested that there are some Turkish influences in the exterior, particularly the two campaniles which resemble minarets.
Read more about this topic: Il Redentore
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—Wallace Stevens (1879–1955)
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“The exterior must be joined to the interior to obtain anything from God, that is to say, we must kneel, pray with the lips, and so on, in order that proud man, who would not submit himself to God, may be now subject to the creature.”
—Blaise Pascal (1623–1662)