Ignacio Ramonet - Works

Works

  • 1981 : Le Chewing-gum des yeux (French: Chewing Gum for the Eyes)
  • 1989 : La Communication victime des marchands
  • 1995 : Cómo nos venden la moto, with Noam Chomsky
  • 1996 : Nouveaux pouvoirs, nouveaux maîtres du monde (French: New Powers, New World Masters)
  • 1997 : Géopolitique du chaos (French: Geopolitics of Chaos)
  • 1998 : Internet, el mundo que llega (Spanish: Internet, the Coming World)
  • 1998 : Rebeldes, dioses y excluidos (Spanish: Rebels, Gods, and the Excluded), with Mariano Aguirre
  • 1999 : La Tyrannie de la communication (French: The Tyranny of Communication)
  • 1999 : Geopolítica y comunicación de final de milenio (Spanish: Geopolitics and Communication at the End of the Millennium)
  • 2000 : La golosina visual
  • 2000 : Propagandes silencieuses
  • 2001 : Marcos, la dignité rebelle
  • 2002 : La Post-Télévision
  • 2002 : Guerres du XXIe siècle (Wars of the 21st Century)
  • 2004 : Abécédaire partiel et partial de la mondialisation, with Ramón Chao and Wozniak
  • 2006: Fidel Castro: biografía a dos voces (Spanish: Fidel Castro: Biography with Two Voices) also titled Cien horas con Fidel (One Hundred Hours with Fidel)

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    “Night and Day ‘ve been tampered with,
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    That works its will on age and hour.”
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    “We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
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    “In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
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