Ignacio Ramonet - Works

Works

  • 1981 : Le Chewing-gum des yeux (French: Chewing Gum for the Eyes)
  • 1989 : La Communication victime des marchands
  • 1995 : Cómo nos venden la moto, with Noam Chomsky
  • 1996 : Nouveaux pouvoirs, nouveaux maîtres du monde (French: New Powers, New World Masters)
  • 1997 : Géopolitique du chaos (French: Geopolitics of Chaos)
  • 1998 : Internet, el mundo que llega (Spanish: Internet, the Coming World)
  • 1998 : Rebeldes, dioses y excluidos (Spanish: Rebels, Gods, and the Excluded), with Mariano Aguirre
  • 1999 : La Tyrannie de la communication (French: The Tyranny of Communication)
  • 1999 : Geopolítica y comunicación de final de milenio (Spanish: Geopolitics and Communication at the End of the Millennium)
  • 2000 : La golosina visual
  • 2000 : Propagandes silencieuses
  • 2001 : Marcos, la dignité rebelle
  • 2002 : La Post-Télévision
  • 2002 : Guerres du XXIe siècle (Wars of the 21st Century)
  • 2004 : Abécédaire partiel et partial de la mondialisation, with Ramón Chao and Wozniak
  • 2006: Fidel Castro: biografía a dos voces (Spanish: Fidel Castro: Biography with Two Voices) also titled Cien horas con Fidel (One Hundred Hours with Fidel)

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Famous quotes containing the word works:

    Piety practised in solitude, like the flower that blooms in the desert, may give its fragrance to the winds of heaven, and delight those unbodied spirits that survey the works of God and the actions of men; but it bestows no assistance upon earthly beings, and however free from taints of impurity, yet wants the sacred splendour of beneficence.
    Samuel Johnson (1709–1784)

    The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.
    Herman Melville (1819–1891)

    That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.
    Lydia M. Child (1802–1880)