Works
- 1981 : Le Chewing-gum des yeux (French: Chewing Gum for the Eyes)
- 1989 : La Communication victime des marchands
- 1995 : Cómo nos venden la moto, with Noam Chomsky
- 1996 : Nouveaux pouvoirs, nouveaux maîtres du monde (French: New Powers, New World Masters)
- 1997 : Géopolitique du chaos (French: Geopolitics of Chaos)
- 1998 : Internet, el mundo que llega (Spanish: Internet, the Coming World)
- 1998 : Rebeldes, dioses y excluidos (Spanish: Rebels, Gods, and the Excluded), with Mariano Aguirre
- 1999 : La Tyrannie de la communication (French: The Tyranny of Communication)
- 1999 : Geopolítica y comunicación de final de milenio (Spanish: Geopolitics and Communication at the End of the Millennium)
- 2000 : La golosina visual
- 2000 : Propagandes silencieuses
- 2001 : Marcos, la dignité rebelle
- 2002 : La Post-Télévision
- 2002 : Guerres du XXIe siècle (Wars of the 21st Century)
- 2004 : Abécédaire partiel et partial de la mondialisation, with Ramón Chao and Wozniak
- 2006: Fidel Castro: biografía a dos voces (Spanish: Fidel Castro: Biography with Two Voices) also titled Cien horas con Fidel (One Hundred Hours with Fidel)
Read more about this topic: Ignacio Ramonet
Famous quotes containing the word works:
“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (1921–1988)
“The whole idea of image is so confused. On the one hand, Madison Avenue is worried about the image of the players in a tennis tour. On the other hand, sports events are often sponsored by the makers of junk food, beer, and cigarettes. What’s the message when an athlete who works at keeping her body fit is sponsored by a sugar-filled snack that does more harm than good?”
—Martina Navratilova (b. 1956)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)