Works
- 1981 : Le Chewing-gum des yeux (French: Chewing Gum for the Eyes)
- 1989 : La Communication victime des marchands
- 1995 : Cómo nos venden la moto, with Noam Chomsky
- 1996 : Nouveaux pouvoirs, nouveaux maîtres du monde (French: New Powers, New World Masters)
- 1997 : Géopolitique du chaos (French: Geopolitics of Chaos)
- 1998 : Internet, el mundo que llega (Spanish: Internet, the Coming World)
- 1998 : Rebeldes, dioses y excluidos (Spanish: Rebels, Gods, and the Excluded), with Mariano Aguirre
- 1999 : La Tyrannie de la communication (French: The Tyranny of Communication)
- 1999 : Geopolítica y comunicación de final de milenio (Spanish: Geopolitics and Communication at the End of the Millennium)
- 2000 : La golosina visual
- 2000 : Propagandes silencieuses
- 2001 : Marcos, la dignité rebelle
- 2002 : La Post-Télévision
- 2002 : Guerres du XXIe siècle (Wars of the 21st Century)
- 2004 : Abécédaire partiel et partial de la mondialisation, with Ramón Chao and Wozniak
- 2006: Fidel Castro: biografía a dos voces (Spanish: Fidel Castro: Biography with Two Voices) also titled Cien horas con Fidel (One Hundred Hours with Fidel)
Read more about this topic: Ignacio Ramonet
Famous quotes containing the word works:
“One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.”
—Benjamin Haydon (1786–1846)
“My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
—George Bernard Shaw (1856–1950)
“The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
—William James (1842–1910)