The Musée de l'Institut Fondamental d'Afrique Noire or IFAN Museum of African Arts in Dakar, Senegal is one of the oldest art museums in West Africa. It was promoted by Léopold Senghor, the country's first President. In December 2007, its official title was changed to The Théodore Monod African Art Museum ("Musée Théodore Monod d'Art africain"), after the French naturalist Théodore André Monod, former director of IFAN. Previously its official name had been "Le Musée d'Art africain de l'Institut fondamental d'Afrique noire Cheikh Anta Diop IFAN/CAD".
The museum is part of the Institut Fondamental d'Afrique Noire (IFAN) institute, founded 1936 under the Popular Front government in France. When IFAN was transferred to Cheikh Anta Diop University in 1960, the building at Place Soweto near the National Assembly of Senegal was converted into a museum. It is today one of the most prestigious centers for the study of African culture and part of the Cheikh Anta Diop University. As the main cultural research center of the colonies of French West Africa, it contains important collections from across Francophone Africa.
The museum is one of the regular locations used in the Dakar Biennale exhibition, showing art by contemporary African and diaspora artists.
Famous quotes containing the words museum, african and/or arts:
“Flower picking.”
—Hawaiian saying no. 2710, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“We live in a highly industrialized society and every member of the Black nation must be as academically and technologically developed as possible. To wage a revolution, we need competent teachers, doctors, nurses, electronics experts, chemists, biologists, physicists, political scientists, and so on and so forth. Black women sitting at home reading bedtime stories to their children are just not going to make it.”
—Frances Beale, African American feminist and civil rights activist. The Black Woman, ch. 14 (1970)
“But here comes Generosity; giving—not to a decayed artist—but to the arts and sciences themselves.—See,—he builds ... whole schools and colleges for those who come after. Lord! how they will magnify his name!
—One honest tear shed in private over the unfortunate, is worth them all.”
—Laurence Sterne (1713–1768)