Theatre, Film and Television Credits
Start year | Production | Role | Notes and awards |
---|---|---|---|
1996 | Rent | Maureen Johnson |
|
2000 | Wild Party, TheThe Wild Party | Kate |
|
2000 | Summer of '42 | Dorothy |
|
2001 | Hair | Sheila |
|
2001 | Aida | Amneris |
|
2002 | Vagina Monologues, TheThe Vagina Monologues | Performer |
|
2002 | Funny Girl (concert) | Fanny Brice |
|
2003 | Wicked | Elphaba |
|
2005 | See What I Wanna See | Kesa / The Wife (Lily) / The Actress (Deanna) |
|
2006 | Wicked (London) | Elphaba |
|
2008 | Chess in Concert (concert) | Florence Vassy |
|
2008 | Nero | Poppea |
|
Year | Title | Role | Notes |
---|---|---|---|
2001 | Kissing Jessica Stein | Bridesmaid | |
2002 | Just a Kiss | Linda | |
2004 | Tollbooth, TheThe Tollbooth | Raquel Cohen-Flaxman | |
2004 | Water | Jessy Turner | Unreleased |
2005 | Rent | Maureen Johnson | Nominated – 2005 Northeastern Critics Award for Best Supporting Actress Nominated – 2005 Northeastern Critics Award for Best Ensemble Nominated – 2005 Broadcast Film Critics Award for Best Ensemble Nominated – 2005 Washington Film Critics Award for Best Ensemble |
2006 | Ask the Dust | Vera Rivkin | |
2007 | ShowBusiness: The Road to Broadway | as Herself | Recorded her own rendition of "Lullaby of Broadway" for the end credits |
2007 | Enchanted | Nancy Tremaine | |
2013 | Frozen | The Snow Queen | Voice |
Year | Title | Role | Notes |
---|---|---|---|
1998 | Hercules: The Animated Series | Circe | 1 episode |
2004 | Rescue Me | Carol | 1 episode |
2005 | Kevin Hill | Francine Prescott | 2 episodes |
2009 | Private Practice | Lisa King | 2 episodes |
2009 | Great Performances | Florence Vassey | 1 episode |
2010–2011 | Glee | Shelby Corcoran | Recurring (Seasons 1–3); 11 episodes |
2010 | Wonder Pets | The Queen of Hearts | 1 episode, Adventures in Wonderland, special guest star |
2010 | Sesame Street | Herself | 1 episode |
2011 | The Glee Project | Herself | Season 1 episode 2: "Theatricality" |
Read more about this topic: Idina Menzel
Famous quotes containing the words film and/or television:
“The womans world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“Cultural expectations shade and color the images that parents- to-be form. The baby product ads, showing a woman serenely holding her child, looking blissfully and mysteriously contented, or the television parents, wisely and humorously solving problems, influence parents-to-be.”
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