The Second World War
Several stories were influenced by the menace of a second world war, and then by the war itself and the Nazi occupation of Belgium.
Despite the fact that Hergé was in favor of the neutrality of Belgium, King Ottokar's Sceptre (1938–1939) could be read as anti-Nazi: Müsstler (a possible contraction of Mussolini and Hitler) is the leader of a conspiracy that seeks to merge the kingdom of Syldavia with its old enemy Borduria. The story could have been influenced by the Anschluss in Austria in 1938. Müsstler is the head of the Steel Guard, a name implying a pro-fascist paramilitary group which were common in Europe between the wars. An actual fascist and anti-Semitic group called the Iron Guard was very active in Romania in the years leading up to the Second World War. The Romanian Iron Guard was often in violent conflict with the King of Romania, King Carol II, who they accused of corruption and being influenced by his Jewish mistress. The leader of the Iron Guard, Codreanu, was executed shortly thereafter for treason by the Romanian government. The Iron Guard briefly formed the government in 1940 under Horia Sima after the King's abdication but Hitler ended up backing the more conservative General Antonescu in January 1941 and the Iron Guard was eliminated from government and purged. Thus, in the foreign policy of the Third Reich the Romanian monarchy and other authoritarian figures were supported over the local fascist party.
The early and unfinished version of Land of Black Gold (1939–1940) alluded to the mobilization of Nazi war power. This unfinished adventure is set in the British Mandate of Palestine with British soldiers and officials. The beginning of the war and the defeat of Belgium prevented Hergé from finishing this version, though it did come out in 1950. He later rewrote it, setting the action in the fictional Arab Kingdom of Khemed and replacing the conflict between Arabs and Jews by a civil conflict between two Arab factions.
During the war, Hergé worked for Le Soir, a newspaper which collaborated with the German occupiers. To avoid controversy during the Nazi occupation of Belgium, Tintin's adventures now focused mainly on non-political issues such as drug smuggling (The Crab with the Golden Claws), intrigue and treasure hunts (The Secret of the Unicorn and Red Rackham's Treasure), and a mysterious curse (The Seven Crystal Balls).
Somewhat controversial though, was The Shooting Star, which was about a race between two crews trying to reach a meteorite which had landed in the Arctic. Hergé chose the subject to be as fantastic as possible, to avoid trouble from the censors. Nonetheless politics intruded in that the crew Tintin joined was composed of Europeans from Axis or neutral countries, while their underhanded rivals were Americans. Tintin also flies in a German plane in the book (an Arado Ar 196).
Most damaging of all for Hergé was that these stories were published in Le Soir, a collaborationist newspaper. After the war he and other members of its staff faced lengthy investigations into their wartime allegiances. Hergé expressed his regrets in an 1973 interview: "I recognise that I myself believed that the future of the West could depend on the New Order. For many, democracy had proved a disappointment, and the New Order brought new hope. In light of everything which has happened, it is of course a huge error to have believed for an instant in the New Order".
Read more about this topic: Ideology Of Tintin
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