Ida Red
"Ida Red" is an American traditional song of unknown origins. It is chiefly identified by variations of the chorus:
- Ida Red, Ida Red, I'm a plumb fool 'bout Ida Red.
Verses are unrelated, rather humorous, and free form, changing from performance to performance. Ida Red's identity is unknown, but is feminine in most uses.
The earliest recording is a one by Fiddlin' Powers & Family (Victor 19434, 1924), which includes vocals. There is also an early well-known instrumental by Dykes Magic City Trio, (Brunswick 125, 1927).
Ida Red, the personage, appears in a number of other songs only distantly related to the song "Ida Red".
One, by Charlie Poole and the North Carolina Ramblers whose "Shootin' Creek" (Columbia 15286-D, 1928), a version of "Cripple Creek", contains verses from "Ida Red", i.e.:
- Ida Red, she's a darned ol' fool,
- Tried to put a saddle on a hump-back mule.
Alan Lomax includes another in his collection of "Negro Bad Men" songs titled "Ida Red". Other than the title, this song is in no way related to the folk song. This song is of a criminal feeling sorry for himself. In every verse he wails to his woman:
- Oh, weep! Oh, my Ida!
There are also several songs that share the same tune but unrelated subject matter. These include "Down The Road" and "Over The Road I'm Bound to Go".
Read more about Ida Red: Western Swing, Bluegrass and Country
Famous quotes containing the words ida and/or red:
“Can you conceive what it is to native-born American women citizens, accustomed to the advantages of our schools, our churches and the mingling of our social life, to ask over and over again for so simple a thing as that “we, the people,” should mean women as well as men; that our Constitution should mean exactly what it says?”
—Mary F. Eastman, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4 ch. 5, by Susan B. Anthony and Ida Husted Harper (1902)
“He was as bald as a hump.
His ears stuck out like teacups
and his tongue, my God, his tongue,
like a red worm and when he kissed
it crawled right in.”
—Anne Sexton (1928–1974)