Letter Names
The names of the letters are:
| Letter | Name | IPA | Typical sound value |
|---|---|---|---|
| Aa | a | between English 'father' and 'cat' | |
| Áá | á | the "ow" in "cow" | |
| Bb | bé | 'p' with no puff of air. | |
| Dd | dé | 't' with no puff of air. | |
| Ðð | eð | the "th" in "the" (always medially, not initially). | |
| Ee | e | "eh" like the "e" in "end" | |
| Éé | é | a shorter sounding "yeah" | |
| Ff | eff | (same as in English sometimes, see notes) | |
| Gg | gé | (same as in English sometimes, see notes) | |
| Hh | há | (same as English) | |
| Ii | i | the "i" in "win" | |
| Íí | í | the "e" in "we" | |
| Jj | joð | said as a "y" or an aspirated "y" (see notes) | |
| Kk | ká | 'k' with a puff of air. | |
| Ll | ell | (same as in English) | |
| Mm | emm | (same as in English) | |
| Nn | enn | (same as in English) | |
| Oo | o | the "our" in "four" (British English) | |
| Óó | ó | "oh" | |
| Pp | pé | 'p' with a puff of air. | |
| Rr | err | rolled, as in Spanish, but slightly more delicately | |
| Ss | ess | always an unvoiced "s" never a voiced "z" sound | |
| Tt | té | 't' with a puff of air. | |
| Uu | u | 'i' in 'in' but rounded. | |
| Úú | ú | like the "ou" in "you" | |
| Vv | vaff | similar to English 'v' | |
| Xx | ex | like the hard German "ch" followed by an s | |
| Yy | ypsilon y | same as 'i' | |
| Ýý | ypsilon ý | same as 'í' | |
| Þþ | þorn | "th" as in "thing" (commonly initially, with some exceptions) | |
| Ææ | æ | "eye" | |
| Öö | ö | "e" in "end" but rounded, from the middle of the mouth |
Read more about this topic: Icelandic Alphabet
Famous quotes containing the words letter and/or names:
“Your letter of excuses has arrived. I receive the letter but do not admit the excuses except in courtesy, as when a man treads on your toes and begs your pardon—the pardon is granted, but the joint aches, especially if there is a corn upon it.”
—George Gordon Noel Byron (1788–1824)
“Every man who has lived for fifty years has buried a whole world or even two; he has grown used to its disappearance and accustomed to the new scenery of another act: but suddenly the names and faces of a time long dead appear more and more often on his way, calling up series of shades and pictures kept somewhere, “just in case” in the endless catacombs of the memory, making him smile or sigh, and sometimes almost weep.”
—Alexander Herzen (1812–1870)