Style and Influence
Marrow cites writer Iceberg Slim and rapper Schoolly D as influences, with Iceberg Slim's novels guiding his skills as a lyricist. Marrow's favorite heavy rock acts are Edgar Winter, Led Zeppelin and Black Sabbath. Marrow's hip hop albums helped shape the gangsta rap style, with music journalist tracing works of artists such as Tupac Shakur, Notorious B.I.G., Eminem and N.W.A to "6 in the Mornin'".
His love of rock music led Marrow to use electric guitar in the instrumentation of his hip hop albums in order to provide his songs with edge and power, and to make his raps harder; he used the fusion of rock and hip hop of Rick Rubin-produced acts like Beastie Boys, Run-DMC and LL Cool J, which featured rock samples in their songs. His work with Body Count, whose 1992 debut album Marrow described as a "rock album with a rap mentality", is described as paving the way for the success of rap rock fusions by bands like Kid Rock and Limp Bizkit; however, Marrow states that the band's style does not fuse the two genres, and is solely a rock band. He is also a fan of the British singer Phil Collins; Collins claimed he was "incredibly flattered" when he learned this.
Read more about this topic: Ice-T
Famous quotes containing the words style and, style and/or influence:
“All my stories are webs of style and none seems at first blush to contain much kinetic matter.... For me “style” is matter.”
—Vladimir Nabokov (1899–1977)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Imagination is always the fabric of social life and the dynamic of history. The influence of real needs and compulsions, of real interests and materials, is indirect because the crowd is never conscious of it.”
—Simone Weil (1909–1943)