Style and Influence
Marrow cites writer Iceberg Slim and rapper Schoolly D as influences, with Iceberg Slim's novels guiding his skills as a lyricist. Marrow's favorite heavy rock acts are Edgar Winter, Led Zeppelin and Black Sabbath. Marrow's hip hop albums helped shape the gangsta rap style, with music journalist tracing works of artists such as Tupac Shakur, Notorious B.I.G., Eminem and N.W.A to "6 in the Mornin'".
His love of rock music led Marrow to use electric guitar in the instrumentation of his hip hop albums in order to provide his songs with edge and power, and to make his raps harder; he used the fusion of rock and hip hop of Rick Rubin-produced acts like Beastie Boys, Run-DMC and LL Cool J, which featured rock samples in their songs. His work with Body Count, whose 1992 debut album Marrow described as a "rock album with a rap mentality", is described as paving the way for the success of rap rock fusions by bands like Kid Rock and Limp Bizkit; however, Marrow states that the band's style does not fuse the two genres, and is solely a rock band. He is also a fan of the British singer Phil Collins; Collins claimed he was "incredibly flattered" when he learned this.
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Famous quotes containing the words style and, style and/or influence:
“A man is free to go up as high as he can reach up to; but I, with all my style and pep, can’t get a man my equal because a girl is always judged by her mother.”
—Anzia Yezierska (c. 1881–1970)
“We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine.”
—Henry David Thoreau (1817–1862)
“The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.”
—Terri Apter (20th century)