Style and Influence
Marrow cites writer Iceberg Slim and rapper Schoolly D as influences, with Iceberg Slim's novels guiding his skills as a lyricist. Marrow's favorite heavy rock acts are Edgar Winter, Led Zeppelin and Black Sabbath. Marrow's hip hop albums helped shape the gangsta rap style, with music journalist tracing works of artists such as Tupac Shakur, Notorious B.I.G., Eminem and N.W.A to "6 in the Mornin'".
His love of rock music led Marrow to use electric guitar in the instrumentation of his hip hop albums in order to provide his songs with edge and power, and to make his raps harder; he used the fusion of rock and hip hop of Rick Rubin-produced acts like Beastie Boys, Run-DMC and LL Cool J, which featured rock samples in their songs. His work with Body Count, whose 1992 debut album Marrow described as a "rock album with a rap mentality", is described as paving the way for the success of rap rock fusions by bands like Kid Rock and Limp Bizkit; however, Marrow states that the band's style does not fuse the two genres, and is solely a rock band. He is also a fan of the British singer Phil Collins; Collins claimed he was "incredibly flattered" when he learned this.
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Famous quotes containing the words style and, style and/or influence:
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
“Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.”
—Alexander Theroux (b. 1940)
“Imagination is always the fabric of social life and the dynamic of history. The influence of real needs and compulsions, of real interests and materials, is indirect because the crowd is never conscious of it.”
—Simone Weil (1909–1943)