Architecture
System architecture was documented in the 305 RAMAC Manual of Operation. The 305 was a character-oriented variable "word" length decimal (BCD) computer with a drum memory rotating at 6000 RPM that held 3200 alphanumeric characters. A core memory buffer of 100 characters was used for temporary storage during data transfers.
Each character was 7 bits, composed of two zone bits ("X" and "O"), four BCD bits for the value of the digit, and an odd parity bit ("R") in the following format:
X O 8 4 2 1 RInstructions could only be stored on 20 tracks of the drum memory and were fixed length (10 characters), in the following format:
- T1 A1 B1 T2 A2 B2 M N P Q
Field positions | Function |
---|---|
T1 A1 B1 | Source operand address – Track, low order AB character |
T2 A2 B2 | Destination operand address – Track, low order AB character |
M N | Length of operands (each operand must be entirely on its specified track) |
P | Program exit code; used to select test conditions, perform jumps, and initiate input/output. The 305's control panel programming determines the action(s) performed. |
Q | Control code; modifies the operation (similar to an op code), the default operation being a copy from source to destination. Other operations were: "1" Compare, "2" Field compare, "3" Compare & Field compare, "5" Accumulator reset, "6" Blank transfer test, "7" Compress & Expand, "8" Expand, "9" Compress |
Fixed-point data "words" could be any size from one decimal digit up to 100 decimal digits, with the X bit of the least significant digit storing the sign (signed magnitude).
Data records could be any size from one character up to 100 characters.
Read more about this topic: IBM 305 RAMAC
Famous quotes containing the word architecture:
“All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks.”
—Gilbert Keith Chesterton (18741936)
“Defaced ruins of architecture and statuary, like the wrinkles of decrepitude of a once beautiful woman, only make one regret that one did not see them when they were enchanting.”
—Horace Walpole (17171797)
“In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spiritif totally different in formfrom all the romantic architecture of the past.”
—Dan Cruickshank (b. 1949)