Features
The RG Series features a thin neck - The Wizard Prestige and Wizard II necks are the thinnest and flattest necks ever made on guitars - with a wide, almost flat, double octave (24 fret) fret board, facilitating the performance of chords and solos. The body of the RG Series features sleek, offset pointed double cutaways giving better access to the upper frets. Typically the body is made of Mahogany or Basswood with the exception of the RGT220A, where the body is made of swamp ash. As of 2008 though, select J Custom RGs are made out of Alder as well as Basswood and Mahogany. The fretboard is made of Rosewood with the exception of the RG350MDX, the RG550MXXDY/RF and the RG270 which can be seen in the catalog section of IbanezRules.com in the 1996 catalog ,where the fretboard is made of maple. The pickups are usually configured as HSH or HH. There are Japan-Custom IBZ, USA-Custom IBZ, Infinity, Powersound, Seymour Duncan, DiMarzio, Acis, LoZ or EMG pickups in the RG Tremolo and Fixed series. The Prestige series typically comes equipped with either the USA and Japan IBZ series, IBZ DiMarzio pickups, DiMarzio pickups in different configurations (most often the ToneZone and Air Norton), active EMGs in several configurations, and one model comes equipped with Non-OEM Seymour Duncans.
Almost all guitars in the series have some variations of a Floyd Rose-style tremolo, except for the RG Fixed and the RGA Prestige series, which have fixed bridges.
RG's are famous for being the basis of particularly easy to play seven string guitars, and as of 2007, Ibanez produced its first commercially available 8 string guitar, the RG2228.
Read more about this topic: Ibanez RG
Famous quotes containing the word features:
“Art is the child of Nature; yes,
Her darling child, in whom we trace
The features of the mother’s face,
Her aspect and her attitude.”
—Henry Wadsworth Longfellow (1807–1882)
“All visible objects, man, are but as pasteboard masks. But in each event—in the living act, the undoubted deed—there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask. If man will strike, strike through the mask!”
—Herman Melville (1819–1891)
“The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.”
—Marcel Proust (1871–1922)