Plot
Sergeant James Allen (Paul Muni) returns to civilian life after World War I but his war experience makes him restless. His family feels he should be grateful for a tedious job as an office clerk, and when he announces that he wants to become an engineer, they react with outrage. He leaves home to find work on any sort of project, but unskilled labor is plentiful and it's hard for him to find a job. Wandering and sinking into poverty, he accidentally becomes caught up in a robbery and is sentenced to ten years on a brutal Southern chain gang.
He escapes and makes his way to Chicago, where he becomes a success in the construction business. He becomes involved with the proprietor of his boardinghouse, Marie Woods (Glenda Farrell), who discovers his secret and blackmails him into an unhappy marriage. He then meets and falls in love with Helen (Helen Vinson). When he asks his wife for a divorce, she betrays him to the authorities. He is offered a pardon if he will turn himself in; Allen accepts, only to find that it was just a ruse. He escapes once again.
In the end, Allen visits Helen in the shadows on the street and tells her he is leaving forever. She asks, "Can't you tell me where you're going? Will you write? Do you need any money?" James repeatedly shakes his head in answer as he backs away. Finally Helen says, "But you must, Jim. How do you live?" In the film's final line and shot James, unseen in the darkness, replies, "I steal." The line is among the most famous closing lines in American film. LeRoy later claimed that the idea for James' retreat into darkness came to him when a fuse blew on the set, but in fact it was written into the script.
Read more about this topic: I Am A Fugitive From A Chain Gang
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)