Hyperbolic Function - Standard Algebraic Expressions

Standard Algebraic Expressions

(b) sinh(x) is half the difference of ex and e−x Hyperbolic functions (a) cosh and (b) sinh obtained using exponential functions and

The hyperbolic functions are:

  • Hyperbolic sine:
  • Hyperbolic cosine:
  • Hyperbolic tangent:
  • Hyperbolic cotangent:
  • Hyperbolic secant:
  • Hyperbolic cosecant:

Hyperbolic functions can be introduced via imaginary circular angles:

  • Hyperbolic sine:
  • Hyperbolic cosine:
  • Hyperbolic tangent:
  • Hyperbolic cotangent:
  • Hyperbolic secant:
  • Hyperbolic cosecant:

where i is the imaginary unit defined by i2 = −1.

The complex forms in the definitions above derive from Euler's formula.

Note that, by convention, sinh2 x means (sinh x)2, not sinh(sinh x), and similarly for the other hyperbolic functions when used with positive exponents. In contrast, sinh−1 x refers to the inverse function arsinh x and not to a reciprocal (and again likewise for the other hyperbolic functions).

Read more about this topic:  Hyperbolic Function

Famous quotes containing the words standard, algebraic and/or expressions:

    “As in political revolutions, so in paradigm choice—there is no standard higher than the assent of the relevant community. To discover how scientific revolutions are effected, we shall therefore have to examine not only the impact of nature and of logic, but also the techniques of persuasive argumentation effective within the quite special groups that constitute the community of scientists.”
    —Thomas S. Kuhn (b. 1922)

    “I have no scheme about it,—no designs on men at all; and, if I had, my mode would be to tempt them with the fruit, and not with the manure. To what end do I lead a simple life at all, pray? That I may teach others to simplify their lives?—and so all our lives be simplified merely, like an algebraic formula? Or not, rather, that I may make use of the ground I have cleared, to live more worthily and profitably?”
    —Henry David Thoreau (1817–1862)

    “Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
    —W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)