Hybrid Theory - Writing and Recording

Writing and Recording

The music that would ultimately become the Hybrid Theory album was first produced by Linkin Park in 1999 as a nine-track demo tape. The band sent this tape to various recording companies and played forty-two different showcases for recording industry representatives, including performances for Los Angeles promoter and impresario, Mike Galaxy's showcase at The Gig on melrose. However, they were initially turned down by most of the major labels and several independent record labels. The band was signed by Warner Bros. Records in 2000, due in large part to the constant recommendations of Jeff Blue, who had joined the label after resigning from Zomba.

Despite initial difficulties in finding a producer willing to take charge of the debut album of a newly signed band, Don Gilmore ultimately agreed to head up the project, with Andy Wallace hired as the mixer. Recording sessions, which mostly involved re-recording the songs off the demo tape, began at NRG Recordings in North Hollywood, California in early 2000 and lasted four weeks. Shinoda's rapping sections in most of the songs were significantly altered from the original, while most choruses remained largely unchanged. Due to the absence of Dave Farrell and Kyle Christener, who took part in the 1999 extended play, the band hired Scott Koziol and Ian Hornbeck as stand-in bassists; Delson also played bass throughout most of the album. The Dust Brothers provided additional beats for the track “With You”.

Bennington and Shinoda wrote the lyrics of Hybrid Theory based in part on early demos with Mark Wakefield. Shinoda characterized the lyrics as interpretations of universal feelings, emotions, and experiences, and as “everyday emotions you talk about and think about.” Bennington later described the songwriting experience to Rolling Stone magazine in early 2002: