Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Jam! | favorable |
| Melody Maker | |
| NME | 6/10 |
| PopMatters | favorable |
| Q | |
| Robert Christgau | |
| Rolling Stone | |
| Sputnikmusic | 3.0/5 |
| Stylus Magazine | mixed |
Hybrid Theory received mixed reviews from critics. Stephanie Dickison of PopMatters commented that the band was a "far more complex and talented group than the hard rock boy bands of late", and claimed that "they will continue to fascinate and challenge music's standard sounds." Q magazine gave Hybrid Theory four out of five stars. Robert Christgau of The Village Voice wrote that “the men don't know what the angry boys understand”, and gave the album a "two-star honorable mention rating", citing "Papercut" and "Points of Authority" as highlights of the album. Jenny Eliscu of Rolling Stone commented that Hybrid Theory had "as much potency as albums by Limp Bizkit or Korn" and called it an album that "reflects the frustration of life".
Rolling Stone's review of the album gave it two and a half stars. Allmusic writer William Ruhlmann said that "Linkin Park sounds like a Johnny-come-lately to an already overdone musical style" and called "One Step Closer" "a typical effort", referring to the lyrics of the song's chorus. NME's Noel Gardner commented that "otherwise damn fine soaring emo-crunchers like 'With You' and 'A Place for My Head' are pointlessly jazzed up with tokenistic scratching," giving the album a score of six out of ten.
Later in 2002, Linkin Park released an album entitled Reanimation. It included the songs of Hybrid Theory remixed and reinterpreted by nu metal and underground hip hop artists. Contributors to the album included Black Thought, Pharoahe Monch, Jonathan Davis, Stephen Carpenter, and Aaron Lewis. The sound of later Linkin Park albums would involve experimentation with classical instruments such as strings and piano, both of which, along with the same elements of electronica from Hybrid Theory, are prominently included in the band's second studio album Meteora. As Shinoda explains the difference in the sound between Hybrid Theory and Meteora: "That electronic element has always been there in the band – it's just that sometimes we bring it closer to the front."
Read more about this topic: Hybrid Theory
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)