Other Appearances in Fiction and Popular Culture
Humpty Dumpty has become a highly popular nursery rhyme character. American actor George L. Fox (1825–77) helped to popularise the character in nineteenth-century stage productions of pantomime, music and rhyme. The character is also a common literary allusion, particularly to refer to a person in an insecure position, something that, once broken, would be difficult to reconstruct, or a short and fat person. In addition to his appearance in Through the Looking-Glass, as a character Humpty Dumpty has been used in a large range of literary works, including L. Frank Baum's Mother Goose in Prose (1901), where the rhyming riddle is devised by the daughter of the king, having witnessed Humpty's "death" and her father's soldiers' efforts to save him. In Neil Gaiman's early short story The Case of the Four and Twenty Blackbirds, the Humpty Dumpty story is turned into a film noir-style hardboiled crime story, involving also Cock Robin, the Queen of Hearts, Little Bo Peep, Old Mother Hubbard and other characters from popular nursery rhymes. Robert Rankin used Humpty Dumpty as one victim of a serial fairy-tale character murderer in The Hollow Chocolate Bunnies of the Apocalypse (2002). Jasper Fforde included Humpty Dumpty in two of his novels, The Well of Lost Plots (2003) and The Big Over Easy (2005), which use him respectively as a ringleader of dissatisfied nursery rhyme characters threatening to strike and as the victim of a murder.
The rhyme has also been used as a reference in more serious literary works, including as a recurring motif of the Fall of Man in James Joyce's 1939 novel Finnegans Wake. Robert Penn Warren's 1946 American novel All the King's Men, the story of populist politician Willie Stark's rise to the position of governor and eventual fall, based on the career of the corrupt Louisiana Senator Huey Long, won the 1947 Pulitzer Prize. It was made into a film All the King's Men, which won the 1949 Academy Award for best motion picture. This was echoed in Carl Bernstein and Bob Woodward's book All the President's Men, about the Watergate scandal, referring to the failure of the President's staff to repair the damage once the scandal had leaked out. It was filmed as All the President's Men in 1976, starring Robert Redford and Dustin Hoffman.
It has also been used as a common motif in popular music, including Hank Thompson's "Humpty Dumpty Heart" (1948), The Monkees' "All the King's Horses" (1966), Aretha Franklin's "All the King's Horses" (1972). and Travis's "The Humpty Dumpty Love Song" (2001). In jazz, Ornette Coleman and Chick Corea wrote different compositions, both incidentally titled Humpty Dumpty (in Corea's case, however, it is a part of a concept album inspired by Lewis Carroll, called "The Mad Hatter" (1978)).
Read more about this topic: Humpty Dumpty
Famous quotes containing the words appearances, fiction, popular and/or culture:
“It is doubtless wise, when a reform is introduced, to try to persuade the British public that it is not a reform at all; but appearances must be kept up to some extent at least.”
—George Bernard Shaw (1856–1950)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“That popular fable of the sot who was picked up dead-drunk in the street, carried to the duke’s house, washed and dressed and laid in the duke’s bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason and finds himself a true prince.”
—Ralph Waldo Emerson (1803–1882)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)