The Human Potential Movement (HPM) arose out of the milieu of the 1960s and formed around the concept of cultivating extraordinary potential that its advocates believed to lie largely untapped in all people. The movement took as its premise the belief that through the development of "human potential", humans can experience an exceptional quality of life filled with happiness, creativity, and fulfillment. As a corollary, those who begin to unleash this assumed potential often find themselves directing their actions within society towards assisting others to release their potential. Adherents believe that the net effect of individuals cultivating their potential will bring about positive social change at large.
Read more about Human Potential Movement: Roots, Authors and Essayists, Notable Proponents
Famous quotes containing the words human, potential and/or movement:
“Catholics think of grace as a supernatural power which God dispenses, primarily through the Church and its sacraments, to purify the souls of naturally sinful human beings, and render them capable of holiness.... Protestants think of grace as an attribute of God rather than a gift from God. It is a shorthand term signifying God’s determination to love, forgive, and save His human children, however little they deserve it.”
—Louis Cassels, U.S. religious columnist. “The Catholic-Protestant Differences,” What’s the Difference?, Doubleday (1965)
“If the Russians have gone too far in subjecting the child and his peer group to conformity to a single set of values imposed by the adult society, perhaps we have reached the point of diminishing returns in allowing excessive autonomy and in failing to utilize the constructive potential of the peer group in developing social responsibility and consideration for others.”
—Urie Bronfenbrenner (b. 1917)
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (1878–1979)