Hugh Paddick - Theatre

Theatre

  • Noah (1937) Embassy School of Acting
  • There's Always Tomorrow (1949) New Wimbledon Theatre
  • The Thunderbolt (1952) Liverpool Playhouse
  • The Two Bouquets (1953) St Martin's Theatre
  • The Boy Friend (1953) Embassy Theatre, (1954) Wyndham's Theatre
  • The Impressario From Smyrna (1954) Arts Theatre
  • For Amusement Only (1956) Apollo Theatre
  • She Smiled At Me (1956) Connaught Theatre
  • For Adults Only (1958) various theatres
  • My Fair Lady (1959–1961) Theatre Royal, Drury Lane
  • See You Inside (1963) Duchess Theatre
  • Let's Get A Divorce! (1966–1967) Mermaid Theatre
  • The Madwoman of Chaillot (1967) Oxford Playhouse
  • They Don't Grow on Trees (1968) Prince of Wales Theatre
  • When We Are Married (1971) Strand Theatre
  • Cinderella (1974) Casino Theatre
  • Play by Play (1975) The King's Head Theatre, Islington
  • Beauty and the Beast (1975) Oxford Playhouse
  • Some of My Best Friends are Husbands (1976) Mermaid Theatre, (1983) Watford Palace
  • Out on a Limb (1976) Vaudeville Theatre
  • Volpone (1977) Royal National Theatre
  • Half Life (1977–1978) Duke of York's Theatre
  • Gigi (1980) Haymarket Theatre (Leicester)
  • Soldier's Fortune (1981) Lyric Hammersmith
  • Venice Preserv'd (1984) Lyttelton Theatre
  • Wild Honey (1984) Lyttelton Theatre
  • Noises Off (1985) Savoy Theatre

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Famous quotes containing the word theatre:

    ... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didn’t learn to endure. To survive, we had to be horses and we were.
    Helen Hayes (1900–1993)

    For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.
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    To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
    Eleonora Duse (1859–1924)