Hugh Paddick - Theatre

Theatre

  • Noah (1937) Embassy School of Acting
  • There's Always Tomorrow (1949) New Wimbledon Theatre
  • The Thunderbolt (1952) Liverpool Playhouse
  • The Two Bouquets (1953) St Martin's Theatre
  • The Boy Friend (1953) Embassy Theatre, (1954) Wyndham's Theatre
  • The Impressario From Smyrna (1954) Arts Theatre
  • For Amusement Only (1956) Apollo Theatre
  • She Smiled At Me (1956) Connaught Theatre
  • For Adults Only (1958) various theatres
  • My Fair Lady (1959–1961) Theatre Royal, Drury Lane
  • See You Inside (1963) Duchess Theatre
  • Let's Get A Divorce! (1966–1967) Mermaid Theatre
  • The Madwoman of Chaillot (1967) Oxford Playhouse
  • They Don't Grow on Trees (1968) Prince of Wales Theatre
  • When We Are Married (1971) Strand Theatre
  • Cinderella (1974) Casino Theatre
  • Play by Play (1975) The King's Head Theatre, Islington
  • Beauty and the Beast (1975) Oxford Playhouse
  • Some of My Best Friends are Husbands (1976) Mermaid Theatre, (1983) Watford Palace
  • Out on a Limb (1976) Vaudeville Theatre
  • Volpone (1977) Royal National Theatre
  • Half Life (1977–1978) Duke of York's Theatre
  • Gigi (1980) Haymarket Theatre (Leicester)
  • Soldier's Fortune (1981) Lyric Hammersmith
  • Venice Preserv'd (1984) Lyttelton Theatre
  • Wild Honey (1984) Lyttelton Theatre
  • Noises Off (1985) Savoy Theatre

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Famous quotes containing the word theatre:

    “The History of the world is not the theatre of happiness. Periods of happiness are blank pages in it, for they are periods of harmony—periods when the antithesis is in abeyance.”
    —Georg Wilhelm Friedrich Hegel (1770–1831)

    “If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinema ... has access to an alogical or discontinuous use of space.”
    —Susan Sontag (b. 1933)

    “People fall out of windows, trees tumble down,
    Summer is changed to winter, the young grow old
    The air is full of children, statues, roofs
    And snow. The theatre is spinning round,
    Colliding with deaf-mute churches and optical trains.
    The most massive sopranos are singing songs of scales.”
    —Wallace Stevens (1879–1955)