Works
Schonfield was one of the original Dead Sea Scrolls team.
Schonfield wrote over 40 books including commercially successful books in the fields of history and biography as well as religion. In 1958 his non-ecclesiastical historical translation of the New Testament was published in the UK and the US, titled The Authentic New Testament. This aimed to show without idealised interpretation the meaning intended by the writers while maintaining the original structures. A revised version appeared in 1985 titled The Original New Testament. In 1965 he published the controversial The Passover Plot, a book whose thesis is that the Crucifixion was part of a larger, conscious attempt by Jesus to fulfill the Messianic expectations rampant in his time, and that the plan went unexpectedly wrong.
Schonfield followed The Passover Plot with a sequel in 1968, Those Incredible Christians. This was also described as controversial, but had less impact than the earlier book.
An additional aspect of his work was the revision of the Hebrew writing system. In The New Hebrew Typography, published in 1932, he argued for a revised version of the Hebrew alphabet modeled after the Latin alphabet, including a capital-lowercase distinction, no final forms, a vertical emphasis, and serifs. This alphabet has not been adopted.
Read more about this topic: Hugh J. Schonfield
Famous quotes containing the word works:
“Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.”
—Jean Genet (1910–1986)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (1876–1959)