Works
Schonfield was one of the original Dead Sea Scrolls team.
Schonfield wrote over 40 books including commercially successful books in the fields of history and biography as well as religion. In 1958 his non-ecclesiastical historical translation of the New Testament was published in the UK and the US, titled The Authentic New Testament. This aimed to show without idealised interpretation the meaning intended by the writers while maintaining the original structures. A revised version appeared in 1985 titled The Original New Testament. In 1965 he published the controversial The Passover Plot, a book whose thesis is that the Crucifixion was part of a larger, conscious attempt by Jesus to fulfill the Messianic expectations rampant in his time, and that the plan went unexpectedly wrong.
Schonfield followed The Passover Plot with a sequel in 1968, Those Incredible Christians. This was also described as controversial, but had less impact than the earlier book.
An additional aspect of his work was the revision of the Hebrew writing system. In The New Hebrew Typography, published in 1932, he argued for a revised version of the Hebrew alphabet modeled after the Latin alphabet, including a capital-lowercase distinction, no final forms, a vertical emphasis, and serifs. This alphabet has not been adopted.
Read more about this topic: Hugh J. Schonfield
Famous quotes containing the word works:
“Puritanism, in whatever expression, is a poisonous germ. On the surface everything may look strong and vigorous; yet the poison works its way persistently, until the entire fabric is doomed.”
—Emma Goldman (1869–1940)
“Piety practised in solitude, like the flower that blooms in the desert, may give its fragrance to the winds of heaven, and delight those unbodied spirits that survey the works of God and the actions of men; but it bestows no assistance upon earthly beings, and however free from taints of impurity, yet wants the sacred splendour of beneficence.”
—Samuel Johnson (1709–1784)
“The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.”
—For the State of New Jersey, U.S. public relief program (1935-1943)