Music
Four sacred vocal compositions by Aston survive substantially complete:
- Missa Te Deum (five voices)
- Missa Videte manus meas (six voices)
- Gaude mater matris Christe (five voices)
- Te Deum laudamus (five voices)
Other compositions survive in fragments.
In addition, he wrote keyboard music, most of which shows an unusually progressive use of idiomatic keyboard: his Hornepype in particular is often cited as an example of early idiomatic keyboard writing.Some other famous early keyboard pieces have been attributed to him on stylistic grounds, including the often-recorded and anthologized My Lady Careys Dompe.
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Famous quotes containing the word music:
“In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
—Laurence Sterne (1713–1768)
“Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.”
—Johann Wolfgang Von Goethe (1749–1832)
“As polishing expresses the vein in marble, and grain in wood, so music brings out what of heroic lurks anywhere. The hero is the sole patron of music.”
—Henry David Thoreau (1817–1862)