Films As Editor, Writer And/or Assistant Director
| Year | Film | Production Function |
Notes |
|---|---|---|---|
| 1947 | Tathapi | ||
| 1950 | Maa | ||
| 1951 | Do Bigha Zamin | Scenario, Editor, Assistant Director | |
| 1953 | Parineeta | Editor | |
| 1954 | Biraj Bahu | Editor | |
| 1955 | Devdas | ||
| 1958 | Madhumati | Editor | |
| 1959 | Heera Moti | ||
| 1961 | Char Diwari | Editor | |
| 1970 | Dastak | Editor | |
| 1977 | Alaap | Story, Producer | |
| 1983 | Coolie | Editor |
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Famous quotes containing the words films, writer and/or director:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“I’m a good scholar when it comes to reading but a blotting kind of writer when you give me a pen.”
—J.M. (John Millington)
“He wrote me sad Mother’s Day stories. He’d always kill me in the stories and tell me how bad he felt about it. It was enough to bring a tear to a mother’s eye.”
—Connie Zastoupil, U.S. mother of Quentin Tarantino, director of film Pulp Fiction. Rolling Stone, p. 76 (December 29, 1994)