Howards' Way - Plot

Plot

The protagonists in the early episodes are the titular Howard family - Tom (Maurice Colbourne), wife Jan (Jan Harvey) and grown-up children Leo (Edward Highmore) and Lynne (Tracey Childs). Tom is made redundant from his job as an aircraft designer after twenty years and is unwilling to re-enter the rat race again. A sailing enthusiast, Tom decides to pursue his dream of designing and building boats, putting his redundancy pay-out into the ailing Mermaid boatyard, run by Jack Rolfe (Glyn Owen), a gruff traditionalist, and his daughter Avril (Susan Gilmore). Tom immediately finds himself in conflict with Jack, whose reliance on the bottle and resentment of Tom's new design ideas, threaten the business, but has an ally in Avril, who turns out to be the real driving force behind the yard with her cool, businesslike brain. Jan, who has spent the last twenty years raising the children and building the family home, is less than impressed with her husband's risky new venture and finds herself pursuing her own life outside the family through establishing a new marine boutique whilst working for flash "medallion man" Ken Masters (Stephen Yardley).

Other major characters introduced during the first series are Kate Harvey (Dulcie Gray), Jan's sensible and supportive mother, the suave, scheming millionaire businessman Charles Frere (Tony Anholt) and the wealthy but unhappy Urquhart family. Gerald (Ivor Danvers) is a financial wizard and the right-hand man of Charles Frere. Polly (Patricia Shakesby), a friend of Jan's, is a bored corporate wife preoccupied with preserving her social status and their daughter Abby (Cindy Shelley) is a socially awkward young woman who has returned to Tarrant after completing her education at a Swiss finishing school and who establishes a friendship with Leo Howard. Unlike the comparatively close and secure Howard family, the Urquharts have secrets to hide. Gerald and Polly's marriage is a sham - an arrangement to cover the fact that Gerald is bisexual to give him respectability in the business world and a name to Abby, Polly's illegitimate daughter after an affair at university. Abby herself is pregnant, after a brief relationship in Switzerland.

The first series establishes the narrative blueprint for the remainder of the programme's run: combining standard melodramatic storylines involving family drama, romance and extramarital affairs (Tom and Avril, Jan and Ken) with business-related plots of corporate intrigue and scheming for power, climaxing with an end-of-series cliffhanger. In the first series, Lynne Howard is seduced by the ruthless Charles Frere. She runs tearfully across the Tarrant harbour during a rainstorm after finding him in bed with another woman, trips and falls unconscious into the water... Later, cliffhangers would involve a fatal water-skiing accident, a plane crash and an accident during a powerboat race.

By virtue of being transmitted during the mid to late 1980s, Howards' Way could be described as almost a textbook time capsule of Thatcherite values, in its portrayal of the years of boom and bust, of individual aspiration and enterprise, and the conspicuous consumption of wealth. The class clashes during the decade were reflected in the character of Ken Masters, a nouveau riche chancer always involved in shady schemes to establish himself as a credible figure in the business world, but generally looked down upon by those with "old money" (for example Charles Frere and merchant banker Sir John Stevens (Willoughby Gray)) and often used as an unwitting pawn in their wider power games. Whilst through the character of Jan Howard and her attempts to go it alone as a businesswoman through establishing her own fashion label, the series explored a standard 1980s melodramatic motif of female emancipation via capitalism cf. the characters of Alexis Colby in Dynasty and Abby Ewing in Knots Landing and the ITV drama series Connie.

Read more about this topic:  Howards' Way

Famous quotes containing the word plot:

    Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.
    Jane Rule (b. 1931)

    The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.
    Charles Dickens (1812–1870)

    Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)