How Will I Laugh Tomorrow When I Can't Even Smile Today

How Will I Laugh Tomorrow When I Can't Even Smile Today is the third album by the American crossover thrash band Suicidal Tendencies, released on Epic Records on September 13, 1988.

How Will I Laugh... is crucial to Suicidal Tendencies stylistic developments in that it sees the band abandoning most of their full fledged punk influences in favor of a more thrash metal-oriented sound. One could see this stylistic changes in this album's predecessor Join the Army, but this album had a distinctly more defined metal sound; more complex and lengthy songs, as well as better production values.

The addition of a rhythm guitarist, Mike Clark (who had played in Muir's side band No Mercy, which was supposed to originally be a metal only side project) changed the band's style heavily as well. Clark writes much of the music for this album, and he gives lead guitarist Rocky George more soloing time. Thus creating another factor in this album and future albums more metal oriented sound.

The band's major label debut, the album featured singles "Trip At The Brain" and the title track, both of which managed to become successful with their target audiences.

Read more about How Will I Laugh Tomorrow When I Can't Even Smile TodayCredits, Trivia

Famous quotes containing the words laugh, tomorrow and/or smile:

    Let us say you are sad
    Because you are not merry; and ‘twere as easy
    For you to laugh and leap, and say you are merry
    Because you are not sad.
    William Shakespeare (1564–1616)

    Early education can only promise to help make the third and fourth and fifth years of life good ones. It cannot insure without fail that any tomorrow will be successful. Nothing “fixes” a child for life, no matter what happens next. But exciting, pleasing early experiences are seldom sloughed off. They go with the child, on into first grade, on into the child’s long life ahead.
    James L. Hymes, Jr. (20th century)

    Every man who has lived for fifty years has buried a whole world or even two; he has grown used to its disappearance and accustomed to the new scenery of another act: but suddenly the names and faces of a time long dead appear more and more often on his way, calling up series of shades and pictures kept somewhere, “just in case” in the endless catacombs of the memory, making him smile or sigh, and sometimes almost weep.
    Alexander Herzen (1812–1870)